Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott
- Michael Fried and Philosophy: Modernism, Intention, and Theatricality
- Mathew Abbott
- Page: 276
- Format: pdf, ePub, mobi, fb2
- ISBN: 9781138679801
- Publisher: Taylor & Francis
Download Michael Fried and Philosophy: Modernism, Intention, and Theatricality
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Michael Fried and Philosophy: Modernism, Intention, and Theatricality by Mathew Abbott This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.
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Michael Fried and Philosophy : Modernism, Intention, and - Pinterest
Michael Fried and Philosophy : Modernism, Intention, and Theatricality ( Hardcover)
Michael Fried and Philosophy: Absorption - Google Books
This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of MichaelFried s art history and criticism. It demonstrates that Fried s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light
Michael Fried and Philosophy: Modernism, Intention - Routledge
This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of MichaelFried's art history and criticism. It demonstrates that Fried's work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light
Rethinking Modernism, Somewhat – The Pinocchio Theory
Specifically, he writes about the art critic Michael Fried. In the 1960s, Fried (an inheritor and reviser of Clement Greenberg) famously wrote about art works and/ as objects, and made a fundamental distinction between “absorption” and “theatricality.” Fried's concern was to uphold the modernist tradition in
Michael Fried and Philosophy: Modernism, Intention, and Theatricality
Michael Fried and Philosophy: Modernism, Intention, and Theatricality è un libro a cura di Mathew AbbottTaylor & Francis Ltd nella collana Routledge Research in Aesthetics: acquista su IBS a 111.12€!
Philosophy: aesthetics - Better Read Than Dead Bookstore Newtown
Better Read Than Dead is a bookstore, a literary landmark that nourishes the neighbourhood's intellectual dynamics with regular author and community events .
Michael Fried - Dictionary of Art Historians
Fried, Michael [Martin] At Oxford he took a private course with the estheticsphilosopher Richard Wollheim (1923-2003). Fried published subsequent books drawing upon the concept of theatricality for later art historical periods, one on Courbet in 1990, another on Manet in 1996, and a third on Adolf Menzel in 2002.
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Amazon.co.uk:Customer reviews: Absorption and Theatricality
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The Art Story: Art Critic - Michael Fried
Throughout his career, Fried has been far more preoccupied with concepts of Minimalism and Modernism in art than the idea of Abstract Expressionism. He has described the 1960s as the "last great moment in Modernist art." The critical work of Michael Fried has raised several questions about the role of theatricality, mass
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